Artworks
archival pigment print from scale model architectural camera sources
archival pigment print from scale model architectural camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources   
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources
handcolored gelatin silver print
archival pigment print from multiple camera sources
rchival pigment print from multiple pinhole camera sources
archival pigment print from multiple camera sources
archival pigment print from multiple camera sources

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  • Gloria DeFilipps Brush updated the Artwork (7491)
    These images are about the aura of language, the trajectories of words forming and attempting to move toward some syntactic position. Meaning is devised, relocated, de-created. Language slips, negotiating the soft terrain of ellipsis and substantiation. © Gloria DeFilipps Brush
  • My lifelong dual interests in photography and writing are combined in my work. I have used small scale objects in a studio environment for most of my photographic work over the past decades. 
 Through several different series of photographic images, I have been visually investigating the photographic representation of the changing aura of language, its relationships with objects existing in real space, and now, in particular, in the series Visible Language, the mediation of language occurring …
  • Gloria DeFilipps Brush updated the Artwork (7561)
    These images are about the changing aura of language, about words forming trajectories of both communication and miscommunication. Objects await recognition and are enveloped by words. Just as objects lie silent, words envelop them, teasing their meanings out into space, or curling inside them, using up the space. Sometimes words are breaths without voice. They seek a secure syntactic position, but meaning constantly is devised, relocated, and recreated.            Language slips, rev…
  • Gloria DeFilipps Brush updated the Artwork (7581)
  • Gloria DeFilipps Brush updated the Artwork (7460)
    Objects await recognition and are enveloped by words. Just as objects lie silent, words envelop them, teasing their meanings out into space, or curling inside them, using up the space. Sometimes words are breaths without voice. They seek a secure syntactic position, but meaning constantly is devised, relocated, and recreated.            Language slips, revealing and reviving, negotiating the soft terrain of ellipsis and substantiation. © Gloria DeFilipps Brush
  • Gloria DeFilipps Brush updated the Artwork (7450)
    These images are about the changing aura of language, about words forming trajectories of both communication and miscommunication.   Objects await recognition and are enveloped by words. Just as objects lie silent, words envelop them, teasing their meanings out into space, or curling inside them, using up the space.   Sometimes words are breaths without voice. They seek a secure syntactic position, but meaning constantly is devised, relocated, and recreated.            Language slip…
  • The book itself as object is multivalent, its meaning shifting with the expectations and framing of the reader. The relationship between fact and fiction may be altogether evident to one individual, unfathomable to another, or the very distinction seen as irrelevant or non-existent by still others. The template of an open book, withpages coming before and after, courts habits of thought involving sequence or succession. Two facing pages propose a seemingly inevitable correlation, even if only to…
  • My lifelong dual interests in photography and writing are combined in my work. I have used small scale objects in a studio environment for most of my photographic work over the past decades. 
Through several different series of photographic images, I have been visually investigating the photographic representation of the changing aura of language, its relationships with objects existing in real space, and now, in particular, in the series Visible Language, the mediation of language occurring t…
  • My lifelong dual interests in photography and writing are combined in my work. I have used small scale objects in a studio environment for most of my photographic work over the past decades. 
Through several different series of photographic images, I have been visually investigating the photographic representation of the changing aura of language, its relationships with objects existing in real space, and now, in particular, in the series Visible Language, the mediation of language occurring t…
  • Gloria DeFilipps Brush updated the Artwork (8014)
    from the Waterwords portfolio archival pigment print from multiple camera sources