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John Morson 15 added May 12, 2008 12:40 AM
Whittney Streeter Mama Ocean Swallows a Steamboat added May 12, 2008 12:27 AM
Ann Sisel Two Doves added May 11, 2008 10:17 PM
Mark Hamel Winter Skyline added May 11, 2008 10:03 PM
E. Katie Holm Isis added May 11, 2008 9:44 PM
What Light: This Week's Poem (March-April 2008) added May 6, 2008 1:27 PM
SPOTLIGHT ON: Painter / Visual Artist - Linda Deg Lee added Apr 20, 2008 8:46 PM
access+ENGAGE Archives added Sep 15, 2006 9:36 AM
miniStories: April 2008 added Apr 22, 2008 2:57 PM
A new issue of 10,000 Arts, co-published by mnartists.org and The Rake magazine, is hot off the presses! In honor of the occasion, this month's highlighted MnArts articles offer unexpected angles of approach for the slippery notion of "community."
Veteran bookseller and publisher David Unowsky offers no-nonsense advice on how to place your book on store shelves (and ensure that it doesn't just sit there).
Filmmaker Deb Wallwork offers an evocative essay, "The Music of Woodcarving," in response to Fergus Falls artist Charles Beck's gorgeous woodcut landscapes.
Artist Scott Stulen gives an inside look at the story behind ARThouse, the sometimes gallery space that doubles as home for New London artists Andrew Nordin and Lisa Bergh.
Read "Bird Identification" by Sandra Evans, the first winning poem from the spring 2008 cycle of What Light, selected by Katrina Vandenberg.
mnSpin, a quarterly music contest for Minnesota musicians. This week listen to a playlist of the three winning tracks by Ben Connelly, Original Mark Edwards and Nigel Egg.
Writer Shannon Gibney gets the story behind acclaimed author Don Lee's new novel "Wrack and Ruin," and she gives her take on the surprisingly substantial reflections on urban sprawl, race, and identity to be found in his farcical tale.
Writer Cheryl Reitan offers a profile of Duluth's new official bard, Jim Johnson, with an eye to his flair for weaving Minnesota's immigrant experience into words.
mnartists.org editor Susannah Schouweiler visits with WAC Director Olga Viso about the joys of working with living artists, the populist power of the public museum, and the rejuvenative benefits of CSI reruns.
Writer and performer Sam Osterhout offers a funny, engaging essay in response to the inventive work springing from the imagination of sculptor Allen Christian, the artist behind Minneapolis' House of Balls.