Artworks
Silkscreen and chalk on canvas
45.5 x 64.5in
2015
sumi ink, wax, oil pastel, colored pencil, and spray paint on archival paper
30 × 44in.
2014
Silkscreen on archival paper
30 x 44in., 1 color silkscreen, Edition of 5
2015
Silkscreen on archival paper
30 x 44in., 1 color silkscreen, Edition of 5
2015
Polyethylene plastic, sumi ink, Spray paint, and chalk
45.5 x 64.5in.
2015
Polyethylene plastic, sumi ink, Spray paint, and chalk
45.5 x 64.5in.
2015
Silkscreen on archival paper
30 × 44in., 2 color silkscreen
2014
chalk, grease pencil, and pencil on papers; Wax on cloth
46.5 × 44.5in.
2015
chalk, grease pencil, and pencil on papers; Wax on cloth
46.5 × 44.5in.
2015
Screenprint on aluminum sheet
20 × 30in. (50.8 × 76.2cm)
2015

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Activity

  • Ryan Gerald Nelson updated the Artwork Gaze Direct
  • Ryan Gerald Nelson updated the Artwork Blue Split
  • Ryan Gerald Nelson updated the Artwork Ground—Air
  • Outer Imposition 8,9,16,1,12,5,4,13—Wk 3, one in a series of related prints, is composed of ritually-created marks and image fragments from an ongoing project the artist refers to as Peripheries. The project reveals elements of the artist’s research as well as the evolution of a particular visual language. Here, the image is seen as an overlooked remnant, the excess of cultural expression, the detritus of communication, a specimen of archaeological study. Fragmented and amputated from its …
  • Inner Imposition 2,15,10,7,14,3,6,11—Wk 6, one in a series of related prints, is composed of ritually-created marks and image fragments from an ongoing project the artist refers to as Peripheries. The project reveals elements of the artist’s research as well as the evolution of a particular visual language.  Here, the image is seen as an overlooked remnant, the excess of cultural expression, the detritus of communication, a specimen of archaeological study. Fragmented and amputated from it…
  • Outer Imposition 8,9,16,1,12,5,4,13—Wk 3, one in a series of related prints, is composed of ritually-created marks and image fragments from an ongoing project the artist refers to as Peripheries. The project reveals elements of the artist’s research as well as the evolution of a particular visual language. Here, the image is seen as an overlooked remnant, the excess of cultural expression, the detritus of communication, a specimen of archaeological study. Fragmented and amputated from its …
  • Inner Imposition 2,15,10,7,14,3,6,11—Wk 6, one in a series of related prints, is composed of ritually-created marks and image fragments from an ongoing project the artist refers to as Peripheries. The project reveals elements of the artist’s research as well as the evolution of a particular visual language.  Here, the image is seen as an overlooked remnant, the excess of cultural expression, the detritus of communication, a specimen of archaeological study. Fragmented and amputated from it…