Artworks
drywall, Lovable wall, Google Earth VR, Video, Wood, 3D Modeling
8'x8'x8'
2017
Shelves, Pedestals, Screws
2017
Activation and Interactive Sculpture
2017
Clock mechanisms, rubber strings
Variable
2017
Contemporary Performance
June 8th, 9th, 10th (60 minute) + free improvisation on June 10th (1.30am-5:30am)
2017
Multimedia Installation
September 27th - October 16th
2017
Curatorial Project for Collective Exhibition + International Conference
September 29- October 13
2017
Collaborative Dance Video Project
20 minutes
2017
art exhibition and event
02/03/2017 - 02/17/2017
2017
Video
14.00min
2015
Video mapping Installation
2016
AudioVideo installation + Canvas, Pad, Pills, Tampon, Golden Paint
2:00 min
2016
Comic Art, Graphic Journalism
2013
Workshop
2017
Performance Arts
2018

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Activity

  • Trump Backward-Forward is collective show that took place in Gallery 148 at the Minneapolis College of Art and Design in February 2017. It featured 12 artists from different cultural backgrounds who use a variety of media. List of participants: Daniel Ploof - digital collage Essma Imady - multimedia installation Jacob Yeates - illustration Jennifer Jurgens - interactive installation Jonathan Herrera - print and paper making Samantha Russell - sculpture Sishir Bommakanti - illlustration Shun Yong…
  • Medical practice and institutions have developed to become significantly more advanced on a technological basis, yet this progress has still not reached the patient in terms of acceptance and empathy since the patient is considered an aberration that has to be normalized. This show questions medicine from the patient’s perspective by juxtaposing subjective points of view to the objectivity of science. Transient Structures features the work of three artists who have unique but comparable exper…
  • 3600 cuts is an interdisciplinary performance by Piotr Szyhalski and Pramila Vasudevan about the endless quest for “higher resolution” — the technological obsession of achieving finer grain and more detail—and how this sometimes illuminating, sometimes destructive phenomenon connects to the parallel quest for understanding human ecology. How can human beings begin to fathom the vast impact of climate change in tandem with the immediate minutia of our daily lives? Meticulously moving thr…
  • Noche Bomba is an exploration of forms and of gender. Movement; expression; drag; social dance. Gender as fiction, socially constructed; gender as reality, the actual implications. Interweaving forms to construct specific imagery.
  • Read Me: Navigating Immigration is a solo exhibition by Zoe Cinel in the Library Gallery at the Minneapolis College of Art and Design. The show features three multimedia installations, that deal with time, space and language, as a way to process the personal trauma of being uprooted, to start a dialogue about immigration and to help others navigating their experiences.
  • Zoe Cinel updated the Artwork Family Portrait(s)
    Family Portrait(s) is a modular installation that visualizes the connections between people in the context of global mobility. Each clock functions at its own time zone but is also tether to another existing in a different time zone, by an almost invisible string. The connections become visible only when the audience takes the effort to get closer, to discover and pay attention. This action resembles the nature of relationships and communication from the immigrant standpoint. Family Portrait is …
  • Read Me: Navigating Immigration is a solo exhibition by Zoe Cinel in the Library Gallery at the Minneapolis College of Art and Design. The show features three multimedia installations, that deal with time, space and language, as a way to process the personal trauma of being uprooted, to start a dialogue about immigration and to help others navigating their experiences.
  • Zoe Cinel updated the Artwork It Takes 2
    This sculpture encourages dialogue. The two seats are created from a single slice of fabric. The fabric slides freely over the central bar. To sit down and stand up safely two people need to cooperate. 
  • Zoe Cinel updated the Artwork Mobile
    Mobile is a platform for portraing immigrants. As a screen cut in half by a wall, the immigrant’s identity is stuck in a limbo in between worlds. Mobile focuses on the vulnerability of the immigrant’s body in cellspaces, questioning mobility from the perspective of the immigrant. Cellspaces, according to Lev Manovich (The Poetics of Augmented Space), are actual spaces filled with digital data that can be accessed through devices (often mobile devices). Technology is necessary to communicate …
  • 3600 cuts is an interdisciplinary performance by Piotr Szyhalski and Pramila Vasudevan about the endless quest for “higher resolution” — the technological obsession of achieving finer grain and more detail—and how this sometimes illuminating, sometimes destructive phenomenon connects to the parallel quest for understanding human ecology. How can human beings begin to fathom the vast impact of climate change in tandem with the immediate minutia of our daily lives? Meticulously moving thr…