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  • My mom and me. Photo by Hwang family, courtesy of Su Hwang.  My artistic practice (and probably this essay––whatever this is) can best be described as gelatinous: it’s amorphous, messy, mostly transparent, and saltyAF. The one surefire thing that’s given my work any semblance of structure or form is rage. That’s right––pure, unadulterated rage; so much so, it’s been hard to harness it for creative good. _________________ Rage needs to stew and is best served straight up––…
  • My mom and me. Photo by Hwang family, courtesy of Su Hwang.  My artistic practice (and probably this essay––whatever this is) can best be described as gelatinous: it’s amorphous, messy, mostly transparent, and saltyAF. The one surefire thing that’s given my work any semblance of structure or form is rage. That’s right––pure, unadulterated rage; so much so, it’s been hard to harness it for creative good.  _________________ Rage  needs to stew and is best served straight up…
  • My mom and me. Photo by Hwang family, courtesy of Su Hwang.  My artistic practice (and probably this essay––whatever this is) can best be described as gelatinous: it’s amorphous, messy, mostly transparent, and saltyAF. The one surefire thing that’s given my work any semblance of structure or form is rage. That’s right––pure, unadulterated rage; so much so, it’s been hard to harness it for creative good.  _________________ Rage  needs to stew and is best served straight up…
  • My mom and me. Photo by Hwang family, courtesy of Su Hwang.  My artistic practice (and probably this essay––whatever this is) can best be described as gelatinous: it’s amorphous, messy, mostly transparent, and saltyAF. The one surefire thing that’s given my work any semblance of structure or form is rage. That’s right––pure, unadulterated rage; so much so, it’s been hard to harness it for creative good. Rage  needs to stew and is best served straight up––and let’s jus…