Mary Britton Clouse

What a surprise- exterior

What a Surprise view 1
What a Surprise view 1

Nesting boxes covered with correspondence, court proceedings and media coverage documenting the prosecution of a mass cow starvation case.

What a Surprise view 2
What a Surprise view 2

What a Surprise view 3
What a Surprise view 3
What  a Surprise view 4
What a Surprise view 4
What a Surprise view 5
What a Surprise view 5

What a Surprise view 6
What a Surprise view 6

What a Surprise view 7
What a Surprise view 7

What a Surprise view 8
What a Surprise view 8

What a Surprise view 9
What a Surprise view 9

What a Surprise view 10
What a Surprise view 10
What a Surprise view 11
What a Surprise view 11
What a Surprise view 12
What a Surprise view 12
What a Surprise view 13
What a Surprise view 13


Statement

In my conceptual art, I document the mechanisms of denial through the actions of unknowing participants and the machinery of bureaucracies. Real events are transformed into visual art constructions which are then used to influence real events.
In this instance, I spent several years pursuing public records regarding the starvation death of 70 dairy cows in Scott County. I chronicled the case as it progressed through the courts, and corresponded with law enforcement and judges as I attempted to obtain evidentiary photographs and videotape that showed dead and dying cows still chained in their stanchions, unable to reach grain within a few feet of them and so cannibalized each other. The photos were deemed "offensive to common sensibilities" and the Sheriff felt that I and the public needed to be protected from the images not from the perpetrators, who never paid a penny in fines or a minute of jail time. I created a series of constructions covered with the paper trail ("What a Surprise", "What I Learned Was") and later created a beautiful binding of the horrible photographs and used it to lobby for stronger anticruelty law at the state legislature ("The Misdemeanor").

Reviews

Fine Arts Merit Award, Minnesota State Fair, 1994