In Here 1.29.05: Poetry; Laura Brandenburg, Emily Carter, Paul Dickinson, Frank Rawlings III
DIY emphasis on bikes, shoes, alcohol, processing irony and other forms of transportation.
Surprisingly careful and steady for its earnest, gravelly, piston explosion
breathiness, the grain-belt of Paul D’s voice wanted to “wrestle every man in Alaska” and “bench press a ballerina” in its quest to “live here”.
The car hits a telephone pole. I’m really awake now. My mind follows my hands. I pull out the screwdriver, pop off the license plates and throw them into the storm sewer. It is impossible to apologize for my life. The wet snow is everywhere, unstoppable. Trucks growl their diesel hearts on close yet unseen freeways. The skyline, unforgiving, blesses no one. Armed with screwdriver and every pen, pencil and unmailed letter I can find in the carI walk towards my job, looking over my shoulder, thinking of all the lies I need to tell.
Laura B: sly seductive slightly Southern bad and liking it thataway to the honest point of vs the world spiritual sung while spinning on one foot. Rapt combat.
You could blow me away with marching bands and rapid fire
And the dark shadows of gunmaen driving past my windows
You could burst my eyeballs with brains and pearls
That fly like confetti in the swollen streets
Of my own dark-flowing parade
You’ll leave my pink dress crumpled
And wet on the sidewalk
But ceremoniously with the reverence of jazz funerals
And pipe organs
You’ll always remember
To say my name
When you come
You’re so polite
Frank Henry Rawlings III
Eyes wide open staring beyond with head back, searching within meticulous accounts of disintegration s. Alcoholic Xmas diary begun when come into cash on Oct 23rd. A liberating turn of phrase elevating one to first class status by self-permission every now and then. Richly voiced “Street Fighting Man” cover self accompanied on guitar turning it into the intimate self-implicating folk song it is.
The Lover of Self Self Loving
In the beginning, the good son listens reasonably to the words of his
mother. With the father for guide. And by the ways of the father.
But when there is not his father. The boy, he is to grow a savage.
He is to swell, made of, possessed of wind.
Without end, this is the design of our gods.
A new days calls. Bringing an end to my dreams of mother.
Minutes later as I recollect, I look down toward a reflection
In my coffee.
But for an instant in that tiny frame of porcelain cup I believe
I’ve seen a harlequin.
They are gone now though. Whoever that party was. Though
Not without taking some embarrassment.
Gone they are. Like the drifting streams of the streams frittered away.
Just like her veil. The discarded fabrics from some simmering
Dance. One wherein the fashion had lost its face.
In her cabriole. And for me that was no joke. As for most I am
Not a funny guy.
-Frank Rawlings, (edited).
Emily Carter, a hard hoarse too cold from the little cold that night was working through the intellectual conceits of ironies past implicating and letting be the world at large in this wake. Blowing her nose, smoking and being good to herself and the turns of phrase:
All right, maybe I do. Maybe I do talk first and think later. Yes, it's true. I admit it freely. It's because I'm from the city. Now, you can say to me, Glory B., it's no crime to think about what you're going to say before you say it, to figure out it relates to the topic being discussed, or if it does at all, or if what you're going to say has the slightest factual basis whatsoever. I've got that argument down cold, because listen, my words are music. - from Glory Goes and Gets Some.
I'm already relieved, thank you, and -- considering what I've done to myself -- happy to be alive, if somewhat cranky in the mornings. I'm cranky in the mornings because at night, when I turn out my lights, when, according to my recovery counselor, you're supposed to concentrate on positive, relaxing images, what I get instead is a sort of cavalcade of hits: Gloria's Most Painful and Embarrassing Moments on Parade. It's especially bad if I remember all the times I made a fool of myself when I was drunk. Once that starts, I can be up for hours, snapping, 'Go away,' to my memories. Just imagine some woman you saw in a bar once, hair tumbled and greasy, eye makeup hopeful the day before yesterday, loudly tossing inappropriate remarks into the closed circles of other people's conversations. Her charming and incisive bon mots land on the floor with an unpleasant splat, as if someone had just hurled a dead frog to the ground at your feet; you turn around, and there she is, smiling like the belle of the ball. If you wish she'd just go away, believe me, so do I. Here in the land of Minnesota, Land of Ten Thousand Treatment Centers, they've got a program for any addiction you might care to name, but memories are something they can't do all that much about."
-from the story "Parachute Silk" by Emily Carter
Curator (Media Arts)
Terrorist Attack On Gallery! Feb 10 2004
Michon Weeks Closing Reception
Michon Weeks Closing reception
Matthew Grover Opening
Matthew Grover- Untitled (lens flare), 2006, C-print, 9" x 14"
POHOSHOW in Newly Redesigned Shoebox Gallery
Art of This n' That
Incident Statement, Schuermann Opening July 16th, 2005
5 Squad Opening
A Million Bucks A New Beginning
$1,000,000 meets the Astronauts
La Luz de Jesu
Xavier Tavera's "La Pasion"
Alair Wells' opening
Frank III St Fightin' Man
In Here Music
In Here Flier
IN HERE ARTIST BIOS
Tiffany Bolk Night Window
Each Sunday A Window Is Broken
Happy Shoebox Halloween Election!
Oeuvres Raisonne d'Exposition de Boite-Chausseur
Shoebox audience watches Mankwe Ndosi perform
Artists Statements for the Biennial
Body Cartography Performance
What the Community Says
Offering to Walter Mondale
SHOEBOX BIENNIAL JUNE 12TH, 2004!
Pie and coffee were served
X-Ray Alley (How it all started)
Minneosta Daily Review of Segrelicious
Shoebox Tour, Performances and Essay
Facelift for the Shoebox
Day of The Dead for Mark Loesch
Sachiko Performance at Elise Blue opening
What the Artists say about Segrelicious
Martha Iserman at her opening
Aziz Osman tells of being in front of a firing squad
Beautiful Deleuzers/Guattari Heroes Bios and Statements
Beautiful Deleuzers/Guattari Heroes Piece Descriptions
Beautiful Deleuzers Opening
Lite Brite Opening
Lite Brite Opening vid
Mary Bergs' Art Matters
Chritopher Hauseman Opening
Shoebox By Night
Shoebox By Night
Ping Wang Window
Josh Ryther Review in ARP!
Vance Gellert Install 3.4.2010
Guns and Ammo
Vance Gellert Artist Talk 4.29.10
Shoebox 6.5 year anniversary Opening for Jenny Schmid