Dance | Analog/digital | Real-time-ness
Incoming guest editor, dance artist Kristin Van Loon, sketches out three overlapping themes for her series, which is def >
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As part of Mn Artists Presents: CarryOn Homes, a multidisciplinary program reimagining the museum as experimental classr >
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Artist, poet, and scholar Simi Kang reframes the notion of expertise, examining which stories we are allowed to retain f >
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We Are All We Have: The Practice of Neighboring
Ashley Hanson and Mary Welcome—both traveling artists working in rural places—team up to articulate their work as a prac >
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Some of the most important dialogues we engage in as artists are the ones we have with those we love. >
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What Does a Black Liberation Future Look Like?
To catalyze their editorial work with Mn Artists, Free Black Dirt hosted a dinner and curated conversation on the topics >
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Through voice and matter, artist-writer Mara Duvra considers possibilities for black subjectivity beyond the representat >
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Looking for Workers with "Soft Skills"? Hire Dancers
Many university degrees prepare young people for technical tasks but overlook some of the important interpersonal skills >
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This Prairie Has Always Been Her Ocean
Ben Weaver reports back from "My Ocean," a site-specific sound and performance installation at the Ordway Prai >
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Linda Shapiro looks into "Radical Recess," the new dance component of Hennepin Theatre Trust's ambitious >
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A candid case study on the thorny issues that arise in curating around culturally and emotionally loaded subject matter: >
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Emily Gastineau ponders the evolving currencies of attention in the arts, what it means to produce something for another >
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Anna Marie Shogren unpacks the ideal of “evening-length” dance, the quirks of audience attention and institutional prest >
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Diversity, Equity, and Engagement in the Arts: A Case Study in Change
Intermedia Arts has spent the last year aiming to turn talking points about diversity and community engagement into acti >
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Lauren DeLand looks back at the Culture Wars of the 1990s and, specifically, the facts and apocrypha surrounding a 1994 >
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A Dance is More Than Intellectual Property
You can (under very specific circumstances) copyright a dance - but is that the best way to protect an artist's &qu >
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Lightsey Darst on Tere O'Connor Dance at American Dance Festival. >
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It's a Class-A fantasy for dancers: you get to choose the choreographer of your dreams to create a dance just for y >
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Should a dancer never outline an audience member with a 15-foot phallus? We would't want to be so narrow! >
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Lightsey Darst reviews new and repertory work by Cedar Lake Contemporary Ballet, recently on stage at the 2014 American >
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Dancers and presenters from around the country talked of money, innovation, the business of embracing change. >
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Vertigo at the American Dance Festival
Lightsey Darst reports back from opening night at this summer's American Dance Festival in Durham, NC: a glittering >
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Emily Johnson/Catalyst wrapped up her ambitious trilogy of dance works with SHORE, premiered recently Northrop. >
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Like an outdoor wedding bad weather has forced into a church basement, the 2014 Northern Spark fulfilled its purpose, bu >
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Lightsey Darst offers a diary from this year's Lowertown iteration of the night-long Twin Cities festival saying, & >
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Art historian Sheila Dickinson watched NYC-based choreographer Netta Yerushalmy's intimate, living room dance-and-s >
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Morgan Thorson's latest dance work, which just premiered at Bedlam Lowertown, explores the thorny, exhilarating, de >
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UK-based Random Dance is known for interdisciplinary forays into "embodied cognition," movement investigations >
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Dense, sly, rampant with references and footnotes, HIJACK s collaborative dance work marries tight composition and form >
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Lightsey Darst interviews polymath artist and dancemaker Karen Sherman whose show, "One with Others," makes a >
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On the boundaries of community, both intangible and concrete, the lonesome freedoms afforded by 21st century phone cultu >
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How is a Dance Film Different from a Movie Preview?
The template - beautiful people, beautifully filmed with a sketch of a story or character - is identical. >
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Artists Should Be Disappointing Sometimes
Artists who are on the move, who go on exploring and refining what they do artists worth paying attention to have to b >
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Digital Culture and Art(ists) on the Verge
Sheila Dickinson reviews the latest "Art(ists) on the Verge" exhibition at the Soap Factory, featuring five Mi >
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Zenon's 30th Season and SuperGroup's Summer Tease
Lightsey Darst writes on Greg Waletski's swan song with Zenon Dance company. >
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Lightsey Darst remembers John Munger, "dance everything" in the Twin Cities arts community: dancer and choreog >
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Lightsey Darst profiles dancer Nic Lincoln -- mercurial, candid, deeply talented and soon to be on stage for YES, an eve >
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The Lowdown on the Northrop MOVES 2013-2014 Season
Camille LeFevre breaks down Northrop's newly announced dance season for 2013-2014 with a short-list of shows to wat >
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Camille LeFevre says the experience of Emily Johnson's latest dance work, NIICUGNI, is like being immersed in the w >
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Ballet, like many classical arts, begins with form, discipline, steps - not improvisational play and feeling. >
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The Disappearing Dance Curator
Both Cowles and the Southern have forsaken curated performance seasons for rentals and bottom line-friendly shows; Walke >
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1001 Buddhas: the week in dance
A dispatch from the rehearsals for Ragamala's world premiere '1001 Buddhas: Voyage of the Gods,' bharatan >
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A Storm of Beats: Zorongo Flamenco Dance
Lightsey Darst visits a rehearsal for Zorongo's upcoming show, March 8 - 10, new dance works by Susana di Palma ins >
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Risk and Reward: the week in dance
Lightsey Darst reviews James Sewell Ballet's annual showcase of new ballet works by emerging and established choreo >
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A Phoenix Rising: Elayna Waxse
Lightsey Darst profiles dancer Elayna Waxse: what happened when she lost her passion for ballet, found a new fire, and c >
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Why is the College of Visual Arts Closing, and What Comes Next?
Camille LeFevre digs behind the official talking points, speaking to CVA's interim president, faculty and alumni ab >
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Queer Freedom: the week in dance
A dispatch from Jaime Carrera's Outlet performance series and Trajal Harrell & Co's "(M)imosa/Twenty >
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